
This section is intended
for coaches. The following is the order in which I teach new athletes
to the program here at UCR how to perform the “power”
versions of the Olympic lifts. It’s not the only way to teach
the lifts, it may not be the best way for everybody but it has worked
very well for me. I first learned this system of teaching from Ethan
Reeve and I’ve made a few small adjustments along the way
to fit my specific needs. I’ve also added some things and
gotten a ton of coaching tips and cue’s from Mike Burgener.
My main advice when following
this outline is to be patient and allow the athletes to master each
lift before moving on to the next. Each exercise in this progression
creates a foundation on which the following lifts build on. Working
one on one I’ve had athletes make it through the progression
in as little as 2 one-hour sessions. I’ve also had groups
take as many as 15+ sessions to properly learn everything on the
list. It pays off in the long run to take your time teaching; you’ll
get better results. One argument I’ve heard against this progression
is that it takes too much time and they need to get their athletes
into “heavy” workouts quicker. My response to this is
1. The time invested pays off in the long run. I’m thinking
of their long term development 6 months or more down the road not
6 days down the road. 2. Athletes with a limited background in weight
training will be sore and tired going through this with just the
bar. It’s allot of reps and sets. Athletes that have lifted
before will still find the new movements and positions challenging
and indeed a workout. 3. If you’re still concerned reserve
the last 15 minutes of your time with them each session to work
them hard.
One plus of this system is that while the main focus of the progression
is for the athlete to learn the Olympic lifts, when finished they
have quite a large arsenal of lifts under their belt.
I like to start by teaching
cleans first. I do this because in my programs I emphasize the power
clean over snatches and some teams I don’t have snatch at
all. I’ve found that if a team has learned cleans well they
can learn to snatch in less than 10 minutes. So here is the plan…
1. Free Standing
Squat:
I teach the Olympic lifts from the top down. I believe you must
know where the bar is going before you try to get it there. The
front squat position is the finish position of a clean so it is
what I teach first, but before I get to front squats I teach them
correct squatting form with no weights. For a free standing squat
have the athletes place their feet slightly wider than shoulder
width (landing position), slightly turn their toes at an outward
angle and have them split their knees also. The kneecap should always
follow the direction of the toes. For balance I have them stick
their arms out in front of them then I simply tell them to sit their
butt down between their ankles. Key points to emphasize are keeping
the feet flat on the ground and the shin as close to perpendicular
to the ground as possible. They also learn to go down slow and controlled
then accelerate on the way up making sure they do not bounce out
of the deep squat position for that transition. Flexibility issues
will pop up right away in a few athletes. For those having problems
performing this squat have them do the squats while holding onto
a pole or rack, this will allow them to keep their weight back on
their heels and correctly perform the squats until their flexibility/strength
improves enough to do squats correctly without holding on. It can
take awhile for some to get there.
2. Front Squats:
Before I begin teaching this one I emphasize to the athletes it’s
importance and relationship to the clean. I tell them that this
is essentially their finish position and I tell them to think about
that and get a good feel for it as they are doing this exercise.
For this lift I have the athletes use just a 2-finger grip on the
bar. I only allow them to grip the bar with their index and middle
fingers. I do this to de-emphasize the gripping of the bar with
the hands and to emphasize the need to have the bar resting on the
shoulders, the hands are there for balance and nothing else. This
is important because when cleaning with heavy weights attempting
to catch the weight by holding it up with the hands can result in
serious injury to the wrists and or elbows. So I have then take
their two finger grip then rotate their elbows up under the bar
until their triceps are parallel to the ground and the bar is resting
on the shoulders. A key cue I use is they should be able to always
see their elbows pointing at them in the mirror, if they can’t
they need to get their elbows up. One problem some athletes will
have in this position is they will have the bar resting on their
throat chocking themselves. To alleviate this all they need to do
is slightly shrug the shoulders, this will raise the bar off of
their throat. Then they simply step back from the squat stands and
perform the exact same squat they did freestanding. The chest should
be up and full of air. The leg action is the same, now they need
to be told to keep their back arched (“athletic” position,
chest out, butt out, shoulders back) through the whole squat and
to keep their upper body upright and their elbows up. Their triceps
must be parallel to the ground at all times. Having the elbows up
will help keep their back in proper position and it prevents the
barbell from rolling off their shoulders. A good coaching point
is to tell them to lead with the elbows out of the bottom position,
to drive the elbows up first out of the bottom. It is mostly a mental
tip but it seems to help keep the elbows up, back flat and prevent
that elbow dip and back rounding as they come out. Athletes need
to be very comfortable with and have had practiced allot of front
squats before they attempt to clean.
3. Back Squats:
The exact same squat as the last two exercises only now the bar
is placed on the shoulders/traps/upper back.
4. Lunges:
Lunges get the athlete ready to perform the split as used in the
jerk as it is a similar position. Sometimes I teach it with the
bar on the back like back squats sometimes with no weight, the action
is the same regardless. Have the athletes step out or lunge forward
with one leg taking a nice long stride. The lunge foot should strike
the ground with the heel then immediately go flat-footed and as
soon as that foot lands the hips need to stop moving forward and
begin dropping straight down. This action of going straight down
will help prevent the athlete from getting the knee in front of
the toe which is potentially harmful to the knee. Also as a carryover
to the upcoming jerk they should step out to the side slightly not
directly straight ahead. This widens their base of support for better
balance.
5. Military Press:
The military press begins the overhead area and prepares the athlete
for the jerk. The athlete begins by standing with their feet hip
width apart (jumping position) and have the bar resting on the front
portion of the shoulders similar to the front squat position. It
is different from the front squat position though in that the elbows
are rotated up just enough to let the bar rest on the shoulders,
they aren’t all the way up to parallel and the bar is held
with the whole hand rather than just two fingers. From here the
athlete will simply press the bar overhead till the arms lock out.
The finish position is critical here. The athlete must get to what
is termed the “head through the hole” position. The
“hole” or window as some call it is the imaginary window
that is outlined by the shoulders on the bottom, the bar across
the top, and the arms on the side. The head must poke through this
window. The finish should have the bar directly above the shoulders
and even with the back of the ears. This is a must once we advance
to the push jerk and jerk because the athletes will eventually be
able to drive much more weight over their head by using their legs
than their arms can hold. They will need to have that bar in the
slot or head through the hole position in order to balance the weight
on their joints. At the finish the coach should be able to stand
to the side of the athlete and be able to draw a straight line from
the bar down to the elbow to the shoulder to the hip to the knee
to the ankle to the ground.
6. Push Press:
A very similar movement to the military press only now the athlete
will initiate the movement of the bar with the legs. I tell them
that basically it is a cheating military press, your going to cheat
by letting your legs get the bar started moving. In this lift it
is crucial that the athlete learn how to dip correctly (evoking
the stretch reflex) and that they learn to use the legs to get the
bar off their shoulders rather than using their arms. First I teach
them how to dip. They set up just like a military press with the
bar resting on their shoulders and their elbows up just enough to
allow the bar to rest on their shoulders. When making the dip the
torso must remain completely upright, it stays upright and ridged,
the feet stay flat on the ground and the knees come forward. You
must emphasize that the weight should be on the heels before and
during the dip. It is a short quick dip just like one would do to
jump up for a rebound, and then they violently explode upwards.
To show them that the legs get the bar started off the shoulders
I’ll roll the bar onto my finger tips opening up my hands,
take my dip and drive and let the bar pop off my shoulders and fly
up past my face. This gives them a good idea of what I mean when
I tell them to let their legs jump the bar off of their shoulders.
So then I have them take that quick dip and drive the bar up to
the head through the whole position, catching the bar with a slight
bend in the hips and knees.
7. Push Jerk:
The Push Jerk is a huge step in the learning progression. Here the
athlete will learn to actually jump with weight (which is essentially
what the Olympic lifts are all about). They will also learn the
timing of the catch which will carry over to the jerk, clean, &
snatch. The push jerk is exactly like the push press only now the
athlete will actually jump and leave the feet. I start by teaching
them how to land. I teach the athletes to stomp their feet when
landing. The sound of the feet stomping tells me a few things 1.
They are being aggressive 2. They are being fast in pulling or pushing
themselves under the bar 3. And maybe most important they are landing
flat-footed. Landing flat footed puts them in a stable position,
(think squatting), it is a less stressful landing as far as shearing
forces on the knee go (again think squatting), and with heavy loads
if you catch on the balls of your feet or on the toes that weight
is going to pull you forward and you’ll miss the lift. I begin
teaching the stomp by having the athlete take one foot and drive
the heel into the ground a few times (resembles a horse counting)
then I have them jump and do it with both feet together. Now I tell
them they are going to simply add that jump and stomp to the push
press they just did.
So now they get set up
just like a military press, then take the quick dip & drive,
Reaching full extension with the hips, and knees then as soon as
that extension is complete and their feet leave the ground they
push them selves under the bar into the landing (squat width w/feet)
position with the bar locked out in the head through the hole position.
The difficult aspect of this lift will be the timing of the catch.
The bar must lock out at the exact same time the feet stomp. A few
will get this on the first try but most will need to practice quite
a bit to learn the timing. Once they have mastered the timing on
the push jerk it will carry over to the timing needed on the jerk,
clean, snatch.
8. Jerk:
Everything about the jerk is the exact same as the push jerk except
the athlete will split the feet in a semi-lunge position for the
catch rather than catching with the feet in a squat position. The
first thing I teach is the landing position without the bar. I have
them dip and drive just as they have on the last two lifts but now
they split the feet. The front foot lands flatfooted with a slight
pigeon-toe and a slight bend in the knee. The back foot lands on
the ball of the foot slightly pigeon-toed with a slight bend in
the knee. Upon landing the feet should not be in a line (like on
a balance beam) Their feet need to be hip width apart or maybe even
slightly wider. A common mistake will be that the athletes will
want to lunge or jump forward. Their hips must only move vertically.
Only the legs move forward or backwards. The hips moving forward
will cause the bar to move forward, the athlete wants all energy
imparted on the bar to send it straight up. Once they demonstrate
the ability to get to the finish position I teach them the recovery.
Recovery: Slide the front
foot back half ways, step up with the back foot to an even stance,
then the last thing the athlete does is lower the bar. It is important
that the athlete follow this sequence because with a heavy load
stepping forward first will result in the bar drifting forward out
of the head through the hole position and the weight will be dropped
forward, stepping back first keeps the bar back into the slot.
When they can do all
of that I then have them grab the bar and perform a jerk. If they
have done everything right preceding this moment all should go well.
They take a quick dip (feet flat, torso stays totally upright…leaning
forward at the waist will lead to either the bar being driven forward
and not making to the slot or the bar will go straight up and into
the chin that has been placed there for it to hit) jump the bar
off of the shoulders (a flat footed jump) driving to the head through
the hole position and hitting that position at precisely the same
time as the feet stomp and land in the _ lunge position.
9. RDL (Romanian
Dead Lift):
This is another lift with tremendous carry over to the clean. With
this lift athletes learn the grip for the clean, how to set the
back for the clean and how to hinge at the hips.
Grip: I teach them the
hook grip. Begin by placing the hands about a thumbs length out
from where the smooth part of the bar turns to knurling. From there
grab the bar then proceed to tuck your thumb under your fingers.
This position is exactly the opposite of how you were taught to
make a fist for punching. Essentially your thumb is being used as
a strap to hold onto the bar. Explain to the athletes that this
may be uncomfortable or even just be plain painful but your thumb
will adjust in a week or so and your grip on the bar will be solid.
With the hook grip the grip will never be a limiting factor for
your cleans or snatches. The hook grip is the best way to go.
Setting the back: This
is critical that the athletes get this part down, this set back
or athletic stance position is used on nearly every lift and is
a must to keep the back healthy. When your low back is arched all
the muscles in that region are activated and bearing the brunt of
the support, when you round your back out the ligaments and discs
support the region, we want to use the muscles back there to protect
the ligaments and discs. To do this I have them stand straight then
stick their butt out like they’re trying to show it off, stick
their chest out, again like they’re trying to show off their
chest and pull the shoulders back.
Hinging the hips: It
is very important that the athletes learn the difference between
bending over by bending at the waist and bending over by hinging
at the hip joint. Often times or if someone is struggling with the
RDL I’ll have them find their hip joint, that ball and socket
joint about 4” below the waist, I’ll then have them
raise their knees or march in place so they can feel that joint
work then tell them that is where the bend must come from. Again
hinging at the hip will keep their back safe but also it allows
you to train the movement/muscles involved in jumping, running,
and cleaning. Someone who doesn’t understand how to hinge
at the hip is someone who will use mostly low back to move the weight
on cleans and snatches.
The movement: Grab the
bar with a hook grip, curl the wrists in (keeps the bar close to
the line of force: the hip joint) set the back, slightly bend the
knees but once slightly bent they stay locked in that slightly bent
position. The feet are set at a hip width or “jumping position”.
Now begin the movement by pushing the butt back just like you would
to close a car door with your butt, continue to push the butt back
hinging at the hip lowering the bar as far as you can without letting
your back round out. (depending on your hamstring flexibility it
may not be very far, some athletes at first can only lower the bar
to their knees, others can touch their toes) Again only bending
at the hip, keep the bar close to the body it should never get outside
of the toes, coming back up bring the hips forward until you are
back at the starting position. The athletes need to learn to contract
the hamstring from the bottom and “pull” themselves
up. So basically, butt back on the way down and hips forward on
the way up.
10. Goodmornings:
This exercise is performed exactly like an RDL only the bar is placed
on the shoulders like a back squat instead of being held in the
hands. Set up like a back squat, set the back, then begin hinging
at the hips by pushing the butt back, bending down to parallel to
the floor with your chest keeping the low back arched then push
your hips forward until you are standing upright. Some athletes
that have a hard time grasping RDL’s may find this one easier
to get the concept of.
11. Upright Shrug:
Now we are ready to begin getting close to performing a clean. As
I mentioned before this progression works from the top down so now
we going to work from the last position before leaving the feet
on the clean.
The first thing I teach
before the athletes take the bar on this one is how to shrug correctly.
I simply have the athletes practice a few quick shrugs by raising
their shoulders to their ears, it’s just a quick pop up and
it must go straight up and down, a couple of mistakes will be rolling
the shoulders on the shrug or performing the shrug slowly or holding
the shrug at the top. The shoulders must be relaxed at the start
then pop straight up to the ears quickly.
Now they grab the bar
and set up exactly like they did for the RDL: Hook grip, curl the
wrists, set the back. Now they will dip and drive exactly like they
did for the jerk, flatfooted, torso upright. Explode upwards and
shrug keeping the back set nice and tight. Again it is a quick pop
up. You want them thinking vertically a good cue is to tell them
to “Shrug the hips, shrug the shoulders” I tell them
to imagine their hip bones sliding up and over their love handles,
that is the motion we want (of course with female athletes I tell
them if you had love handles you’d want to imagine your hip
bones sliding over them. If you tell them the other way they will
spend 2 minutes denying they have love handles) another point to
emphasize is the jumping motion is to be performed from flatfeet,
rising up onto the toes is a product of powerfully driving the heels
into the floor, trying to jump off the toes will put the athletes
weight to far forward and lead them to being off balance and a less
powerful jump. Remember the weight (barbell) is out in front of
them and the athlete and the weight have a combined center of gravity,
the athlete needs to push through the heels as long as possible
to keep that combined center of gravity as close to his/her hip
joint as possible. The athlete will naturally extend at the ankle
and push off the ball of the foot when jumping on a clean but we
want them to stay flatfooted as long as possible. I tell them to
jump flatfooted. So it’s a quick dip and drive, shrug the
hips, shrug the shoulders.
12. Upright Shrug
Jump:
It’s of the utmost importance that the athletes grasp that
the Olympic lifts are all about jumping with weight. So now we will
jump with weight. Same set up: stand in the jumping position, hook
grip, curl the wrists in, set the back. Now take the quick dip and
perform a vertical jump and shrug the shoulders. I tell them to
simply set up then jump as high as they can. Don’t allow them
to let the chest dip at all, stay straight up and down, and emphasize
keeping their weight on their heels. After a couple of sets of these
I ask the athlete if they feel like that bar wants to keep rising
up on them and if they are stopping it by keeping their arms straight.
(99% of the time the answer is yes) I also point out how high that
bar is getting in the air. I’m beginning to plant in their
mind that they can get the bar up to their shoulders without pulling
it up their with their arms.
13. Upright Clean:
Now for the moment of truth. This where everything comes together.
Here we are basically combining 3 lifts: The front squat which is
the catch position, the jump shrug which we just did, and to that
jump shrug we are going to add the concepts of pulling oneself under
the bar quickly like they pushed themselves under in the push jerk,
and also the foot stomp and timing that stomp with the catch or
rack.
The athletes assume the
same starting position. Standing with feet at hip width (jumping
stance) back set, hook grip, wrists curled. They will take their
quick dip then jump-shrug-and catch landing in a squat stance and
the bar racked in the front squat position. The feet should stomp
at the exact same time the bar is racked onto the shoulders. The
motion is the same as the shrug jump only instead of floating into
the air they actively pull themselves under the bar and get their
feet back onto the ground quickly.
Not everybody is going
to be perfect on the first few tries, in fact few are. Here are
some common errors and how to correct them.
Bar swings out away from
the body: Usually when this happens the athlete is using their arms
to “reverse curl” the weight up. You need to emphasize
that the arms do very little of the work (remind them how high the
bar got on the shrug jump) and that the bar needs to stay close
to the body, almost touching the shirt all the way up. One drill
that is effective is have the athlete take their thumbs and run
them up the front of their shirt then rotate their elbows through
to the front squat position without their thumbs leaving their body.
This will show them that they can get to that catch position without
doing the reverse curl motion and having the hands go away from
the body. Have them repeat this motion with the thumbs several times
slowly then gradually get faster and faster till they are whipping
the elbows through like they will on the clean.
The bar could also swing
out if the athlete is jumping forward or thrusting the hips forward
rather than shrugging the hips vertically. Tell them to jump straight
up, also it is effective to draw a line on the floor with chalk
have them start with their toes just behind the line and tell them
they can’t jump over the line.
If they are having a
problem getting their elbows through and they were able to get them
up when front squatting, usually it is because they are keeping
their grip on the bar. When they rack the weight they need to release
their grip and let them bar roll onto their fingertips, this will
allow them to get their elbows up. Then on the way back down they
roll the bar back into a hook grip.
Another common problem
is timing on the catch, especially if the athlete struggled with
timing on the push jerk. Many times just pointing out that they
need to catch and stomp at the same time helps. Explaining that
in the future when they have heavy weight on the bar they will not
want that bar to come crashing down on them. They want to meet that
bar at it’s highest point and rack it before it begins to
fall and pick up speed. The most common reason for bad timing is
pulling with the arms if the athlete is landing and then the bar
is crashing them. Bad timing can also happen if the athlete doesn’t
whip the elbows through in time or doesn’t pull themselves
under the bar quick enough.
This step may take a
while, it is very important that they master this lift before moving
on. Once they can perform an upright clean the hang clean and power
clean come pretty easy.
14. Hang Shrug:
Now we move to the hang above the knees position. The athlete begins
with the same starting position: hook grip, wrists curled, back
set, feet hip width apart. Then begins an RDL pushing the butt back
hinging at the hip but instead of going all the way down the athlete
stops with the bar just above the knees. Here you have the start
position for the hang shrug. So the back is set the chest and shoulders
are out over the bar, the knees are slightly bent and the weight
is back on the heels they should be able to wiggle the toes.
The action: The athlete
begins by hinging the hip then basically hits the upright position
and performs an upright shrug. Violently shrugging the hips and
the shoulders in a jumping motion.
15. Hang Shrug
Jump:
Same set up as hang shrug: back set, hook grip, wrists curled in,
hinging at the hips leaning out over the bar, weight on the mid
to back of the foot. From this position begin with a hinge at the
hips then simply perform a vertical jump and shrug. Encourage them
to jump as high as they can. Let them get a feel of being explosive
with the bar in their hands.
16. Hang Clean:
Same set up as the last two exercises. Now jump, shrug, and catch.
One thing that needs to be taught here is how to lower the bar.
Many athletes will make the mistake of taking the bar from their
shoulders straight down to their knees. For the safety of the back
they need to take the bar down to the upright position, set the
back then lower it to the knees.
17. Power Position:
Next I just have the athletes demonstrate the ability to get into
the correct starting position for a power clean.
They begin in the upright position: hook grip, wrists curled in,
back set, then rd down to the hang position. From the hang position
they squat down to the power position maintaining the arch in their
back and also maintaining the same angle of the back in relation
to the ground.
Power position. Hook
grip, wrists curled, back set, feet flat and they should be able
to wiggle their toes, the bar is almost up against the middle of
the shins, the hips are slightly higher than the knees, the shoulders
are way above the hips, the chest and head is up (I tell them they
should be able to read whatever is on their shirt in the mirror)
and the shoulders and chest are out over the bar.
18. Power to the
Hang Transition:
One very common mistake in the power clean is not pulling the bar
back into the body once the bar gets past the knees. Ideally you
want the bar as close to the hip joint as possible, what tends to
happen is that the athlete will begin their first pull from the
power position then as they hit the 2nd pull or jump phase the bar
stays out past the knees or about 3-4” away from the body
and continues to travel up away from the body. The athlete needs
to be taught to pull that bar back into the thighs by subtly flexing
the lats and get that bar to brush or scrap the thighs on the way
up as the athlete shrugs the hips. So I have them perform a deadlift
and once the bar gets above the knee they pull it back into the
thigh. It is important that the arms stay straight and the athlete
knows to pull it in with their lats and not the arms. The athlete
also needs to understand that they must lift the weight off of the
ground with their legs. Tell them to push their heels through the
floor, or push the floor away by pushing through their heels. Letting
their legs doing the work seems to get them to get their back out
of it a little.
19. Power Shrug:
Here the athlete starts in the power position then basically deadlifts
the bar till it gets above the knee or into the hang shrug position.
The athlete then violently shrugs the hips and shoulders in a jumping
motion just as they did in upright shrugs and hang shrugs earlier
in the progression. The pull should be nice and smooth off of the
floor then the athlete explodes as they pass the knee.
20. Power Clean:
Now they put it all together. Begin in the power position then perform
the exact same motion as the power shrug except now finish with
a jump-shrug-and catch. This clean will look just like the upright
clean and hang clean except it starts from the power position.
After mastering the power
clean I then move on to teaching the power snatch, which tends to
go very quickly or at least much quicker than the clean.
21. Overhead Squat:
I also begin teaching the power snatch by starting from the top
down. The finish position of a snatch is the overhead squat position.
You may want to use a lighter bar or a PVC pipe for overhead squats.
Begin by having them
take a wide grip on the bar then put that bar in the head through
the hole position we worked on with military press. The bar should
be even with the back of the ears. The grip width should be such
that with the arms extended the bar is 8-12” over the head.
From here have the athletes perform a squat while keeping their
arms locked out and the bar at the back of the ears. Athletes with
poor flexibility in the shoulders will really struggle with this
one. For right now I’m not that concerned with their overhead
squats, I just want them to get a feel for the bar being up there.
Usually I have them do just one set then move on.
22. Behind the
Neck Snatch Grip Push Jerk:
This lift is intended for them to get a feel for that timing of
stomping the feet at the same time the bar locks out overhead. They
begin with the bar on their back like a back squat. Their feet are
hip width apart; their grip is the same width as the overhead squat.
They take their quick dip then perform a push jerk. If they can
get the timing on the first set I only have them do 1 set.
23. Upright Snatch
Shrug:
By now these shrugs are old hat to them. The motion is the exact
same as the upright shrug for cleans, the width of the grip is different.
They grab the bar at the same spot they did for overhead squats
then take a hook grip, curl the writs in, rotate the elbows out
(the elbows should point out to the sides not back) Set the back.
Then Take the quick dip and explode up driving through the heels
shrugging the hips and the shoulders. It is important that they
rotate the elbows out because on high pulls and snatches the elbows
must bend and point straight up and not be allowed to drop backwards.
Again I usually just have them do 1 set here.
24. Upright High
Pulls:
Exact same set up and action as snatch shrugs only now upon full
extension of the hips and knees the athletes will allow the elbows
to bend and pull the bar up to their chins keeping the bar close
to the body and letting their elbows lead the movement. The elbows
must point high and outside the entire time they must never rotate
backwards. The momentum of the bar is still made by the jump and
shrug not the arms.
25. Muscle snatch:
This next exercise is designed to teach the athlete the path of
the bar on a snatch and give them the motor pattern to perform it.
I usually have then use a light bar for this one. I begin by telling
them that for this lift they will be pulling with their arms, but
it is just to show them the path the bar must take, after this lift
they need to go back to using their hips and legs to do the work.
They get set up: snatch
grip, hook grip, curl the wrists, rotate the elbows out, set the
back, then without using the legs do 3 shrugs, 3 high pulls, then
3 high pulls with a finish of snapping the bar out into the overhead
squat position. This is the path for the snatch.
26. Upright Snatch:
Now I tell them to completely clear their head of all thoughts.
They will get set up: snatch grip, hook grip, wrist curled, elbows
out, set the back. Then I simply tell them to jump and throw the
bar to the ceiling except they are not to let go of the bar. After
having done the muscle snatch the motor pattern is set and the result
of them jumping and throwing the bar to the ceiling is almost always
a snatch with good-looking technique.
The number one mistake
I find in the snatch is letting the elbows drop, they always need
to keep their elbows high and outside on that third pull.
27. Power Snatch:
Now I usually skip directly to the power snatch. The movements of
the hang snatch and getting the bar back into the body from the
power position are exactly the same for the snatch as the clean
and they already know them so we practice power snatching now.
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